2025/07/14
The Fine Line Between Zen and Excess — Beauty in Simplicity

Rooted deeply in Japanese culture, the philosophy of Zen quietly permeates every corner of daily life. At the heart of this Zen sensibility lies a profound attitude: the deliberate removal of the unnecessary. Yet this is not mere minimalism. In Zen, simplicity is not about maximizing functionality, but about discovering beauty through stillness and space—a form of spiritual clarity. The boundary between “Zen” and “excess” is not drawn around physical objects, but in one’s state of mind.

A single stone placed in a Zen garden. One flower carefully arranged in a tearoom. These reduced forms invite the viewer’s imagination to fill the space. They do not speak too much, nor do they decorate excessively—yet they are far from empty. They contain intentional ma (space) and silence, providing a place to quiet the mind and reflect inward. The Zen aesthetic is not about eliminating clutter, but about consciously selecting only what is truly essential and treating it with care.

In modern society, simplicity is often equated with efficiency—shortcuts at work, decluttering our homes, or living with fewer possessions. But in Zen, simplicity is not an outcome; it is a process. The focus is not how much one can discard, but how well one can discern what is essential and engage with it mindfully. Ultimately, Zen asks not what is absent, but what we choose to see within emptiness—a sensitivity that reveals beauty beyond form.

The Zen aesthetic also embraces the beauty of imperfection. A bowl that is not perfectly symmetrical, a bamboo stalk with natural knots, a floor with uneven lacquer—these are not flaws to be corrected, but manifestations of nature’s order. Rather than seeking perfection, Zen finds grace in irregularity. By avoiding excess and cherishing stillness, both the eye and the heart become more perceptive and clear. In this worldview, beauty does not reside in abundance, but in the quality of presence—of gesture, of atmosphere, of time.

Zen teaches us that simplicity is never empty; it is a form of deep fulfillment. One does not need to possess much, nor to adorn or speak excessively, to live richly. To reach this state, one must not only arrange the outer world, but also take quiet time to observe and refine the inner self.

What, then, is “waste”? Through the lens of Zen, waste is not about quantity or flamboyance—it is anything that dulls our awareness. And beauty, perhaps, is what remains after all excess has been gently removed: the quiet that simply exists, and the sincere gaze that is directed toward it. The line between Zen and excess is not drawn by others—it lies within ourselves.